La galerie de la Biennale
Robert Milin works on the principle that the ordinary is invisible, that it holds the key to the poetic, but that it is lost the moment we attempt to study it. And so we must let things and people go about their business, approaching them empathetically, unaffectedly, as if we aren’t even there. This is why the camera in Milin’s work is frontal and the backdrop neutral: for paradoxically this is how the camera is best forgotten. In "French Rail Ticket Checkers" the subjects are having breakfast; in "Veni, Veni, Veni" livestock breeders in France’s Quercy region call to their animals in the local patois. Here the artist settles for the bare minimum, and this is how he reveals the intensity of relationships. For Veduta/Biennale de Lyon, Milin used a residency in Lyon and neighbouring Vénissieux to create a work titled "My Name Means September". Roaming the city, he noted expressions overheard and built them into lightboxes of which seven can be seen in Lyon 8, three in Vénissieux and two at La Sucrière, and one at the Veduta forum.
Robert MILIN
Portrait de groupe de contrôleurs SNCF, 2008
Photos: Blaise Adilon
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The 2009 edition > The curator
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Hou Hanru

Curator, Biennale de Lyon 2009

Born in 1963 in China, Hou Hanru is a prolific and dynamic critic and curator based in Paris and San Francisco. He is Director of Exhibitions and Public Programs and also Chair of Exhibition and Museum Studies at the San Francisco Art Institute.

photo : Osama DawodHou Hanru
photo : Osama Dawod
Hou Hanru received both his undergraduate and graduate degrees from the Central Academy of Fine Arts in Beijing, where he was trained in art history. He has been a consultant for several cultural institutions internationally including the Solomon Guggenheim Museum, New York; the Deutsche Bank Collection, Frankfurt; the Walker Art Center, Minneapolis; and the Contemporary Art Museum in Kumamoto, Japan. He has taught and lectured at numerous institutions including the Rijksakademie van Beeldende Kunsten in Amsterdam and the Hoger Instituut voor Schone Kunsten in Gand.
Hou Hanru is a correspondent for Flash Art International and a regular contributor to several other contemporary-art journals including ART iT, Artasiapacific and Yishu. He has curated many exhibitions including: the exhibition programme at the Walter and McBean Galleries, San Francisco Art Institute, since 2006, featuring artists such as Sarkis, Allora & Calzadilla, Jens Haaning, Adel Abdessemed, Teddy Cruz & Pedro Reyes and Yan Pei Ming, as well as group shows including "World Factory" and "Wherever We Go"...; "Too Early for Vacation", EV + A 2008, Limerick, Ireland, 2008; "Trans(cient) City" and "Global Multitude", Luxembourg, 2007; "Not Only Possible, But Also Necessary - Optimism in The Age of Global Wars", 10th Istanbul Biennale, 2007; "Everyday Miracle, four woman artists in the Chinese Pavilion (Shen Yuan, Yin Xiuzhen, Kan Xuan, Cao Fei)", 52nd Venice Biennale, 2007; "Laboratoire pour un Avenir Incertain (Laboratory for an Uncertain Future)", Grand Palais, Paris, France, 2006; "Go Inside", 3rd Tirana Biennale, 2005; The Second Guangzhou Triennial: "Beyond - An Extraordinary Space of Experimentation for Modernization", 2004-2006; Nuit Blanche, Paris, 2004; "Z.O.U, Zone of Urgency", Venice Biennale, 2003; Gwangju Biennale, 2002; and "Shanghai Spirit", Shanghai Biennale, 2000.

 


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