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Indonesian artist Eko Nugroho has taken over La Sucrière with turquoise and navy blue: overlaid on the facade with its array of windows, the two colours come together in fantastic characters mixing Tim Burton and Indonesian graffiti. Part science fiction, part cartoon, Nugroho’s personae take their inspiration from robots and traditional puppets: a fan of Indonesian shadow theatre, the artist imbues his characters with a hip-hop/ breakdance energy that demonstrates the way the classics can exuberantly draw on urban art without doing themselves the least disservice. As Veduta’s guest artist in Vaulx-en-Velin, the artist has also worked with local youngsters to produce " The Rainbow under the Stone ", on the first floor.

With the special support of Caisse d’Epargne Rhône Alpes, official partner of the Biennale de Lyon 2009 / With the support of M.E.R.I.C/CIREME, C’PRO Lyon/ CAPAROL

Eko NUGROHO
Cut the Montain and Let It Fly, 2009
Photos: Blaise Adilon
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Veduta > Veduta project > Manger l'art contemporain - "Pain Peint"
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Manger l'art contemporain - "Pain Peint"

Autour de l'oeuvre de Erik Dietman, conservée dans les collections du MACLyon, Veduta propose d'aller au bout de la logique de la consommation de l'art avec un "pain peint", clin d'oeil au "Pain peint" de Man Ray (1958).

Avec le concours d'une boulangerie de Villeurbanne, de véritables "pains peints" seront en vente dans les boutiques de la Biennale et en libre service dans les expositions sur les territoires de Veduta.

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